http://buduclan.de/music/music1/mp3/Haveyouever-Ses220-231113-M-Mix01-MasOZ.mp3 Have you ever kissed the sun?
Have you ever drunken Oceans full of love?
already says everything: presumptuous, unbearable and violent – yes, almost vicious !
http://buduclan.de/music/music1/mp3/Innocence-Ses215-290913-M-Mix01-MasOz.mp3 Weightless and relaxed this piece is jumping about like a nursery rhyme and oscillates between tender, sad or angry – but always full of power.
http://buduclan.de/music/music1/mp3/NSAMAD-Ses218-271013-M-Mix01-Roh+MasOz-ENDMIX-EndLIM-RepLIM.mp3 The greater part of the BuDuClan texts are usually understandable in the hook lines only.. . . Here comes an exception. . . I eavesdropped the text and changed it slightly.
NSA+MAD
FBI and NSA – keep their secrets locked away
Edward Snowdon blew them all about
Edward you are brave – you are so brave !
Sleep well and deep – you all
BND and MAD – listen to whatever you say
if you don`t know why am I – getting in this rage
imagine that your diary – is spread into the
world wide net
See them coming from behind
sowing – fear and jealousy
Worldwide people start to band
together to be one and to resist
to get out of the mist
Arabia Lybia, Italy, Berlin, Hamburg – here and now
but see how soft and sweet they are –
but see how soft and sweet they are
Peaceful people in a crowd
are something like a herd
they wanted to bring a stone to roll
but then they`re casting the first stone
they`re casting the first stone
casting the first stone –they`re casting the first stone!
oh, so soft and sweet they are
soft and sweet they are
soft and sweet they are
See the crowd has found
the beat is getting strong
so many people are convinced
so many can`t be wrong
so many can`t be wrong -so many can`t be wrong
I watched what was going on
and knew the crowd was right
but felt it`s getting violent
protest becoming fight. . . .
Come on Madeleine lets go
Come on Madeleine lets go
Come on Madeleine lets go
Come on Madeleine lets
Madeleine lets make love – not war !
I want to hear the rhythm of your heart
not that beating – that beat is much to hard
I want to hear the rhythm of your heart
not that beating – that beat is much to hard
http://buduclan.de/music/music1/mp3/Renaissance-Ses215-290913-M-Mix01-MasOz.mp3 This piece is characterized by a fiddling like in renaissance dancing music. It tells the sad story of a princess so much consumed by her longing that her love´s death almost appears as release…
http://buduclan.de/music/music1/mp3/Mandarine-Ses218-271013-M-Mix01-MasOz.mp3 This is the funny side of BuDuClan: Accidentally, H.´s home food supplied tangerine was shining in bright orange on top of a black speaker box. Attracted by it, M. picked it up and seemingly at random kept it jumping on the fret of his bass guitar… Not quite as accidental, the singer found himself inspired by this playing to a tangerine song.. Circus music comes up and transforms a complete nonsense into a circus act…
http://buduclan.de/music/music1/mp3/Ifitcame-Ses219-101113-M-Mix01-Roh+MasOz-END.mp3 Giantly stomping straight ahead bass figure comes out of the guitar noise jumble like
a primeval creature driving the singer into sreeching screams first choking retching
into irony and madness at last. “Mary got it right ! ahead” – That is too much!
Sleeping, later this creeps into dreams. . . uih -uih-uih, a-changing first in way up – way down and then into wing up – wing down and at last it flies away . . – not without, just here and there reaching out in pain or fury for sustainable point or ground . . . – if it came. . .if it came. . .if it came. . .
With BuDuClan missing out on the definiteness of conventional songs there is no easy
access to unveil their music. This is no unability nor chance, but wilful hardship. For
BuDuClan do advocate the multitude und unrhymed, the undissolved which is
endangered by our reckless world to be erased – here it may live, survive the
“humanness” with clear kept mind for gist and substance outwith a normed daily
scheme that draines our energies.
http://buduclan.de/music/music1/mp3/Boring-Ses215-290913-M-MasOz.mp3 It happens that a musical theme is perceived as boring, because it does`nt produce
any resonance . . . instead of simply ceasing, BuDuClan makes it the topic. . .
http://buduclan.de/music/music1/mp3/Harder-Ses218-271013-M-Mix01-MasOz.mp3 How is it that now meant again “You gonna make me harder ..” ?
Politically ? – psychologically ? or sexually ?
The unrest, which brings the approach to a familiar values strangers on the dance
floor with him, runs through the piece in its various facets and relocations.
http://buduclan.de/music/music1/mp3/GetYourHeart-Ses217-131013-M-MIX01-MasOz-LIM.mp3 Get your heart ( in the ballance)
“We are going up and down to the Rhythm …”
says it straight out – no frills, but with horns ( from the “box” ; )
http://buduclan.de/music/music1/mp3/Mamama-Ses217-131013-M-Mix01-MasOz.mp3 From the faint brownish grey atmosphere of a mediaeval dancing song slowly
emerges a despairing cry…
But first we we have to endure the endless complaints about a hard life full of
hardships, the exuberant anger and the increasingly desperate cry for the mother in
greatest need. . to a surprising manner still to be found finally a powerful end that
overcomes all that suffering.
http://buduclan.de/music/music1/mp3/Foreward-Ses215-290913-M-Mix01-MasOz.mp3
For a start the bass (sparkling with inspiration) is driving the pack ahead until the singer at last gets lost in a lonesome desperate monologue…
Wonderfully open it starts. . . then finds themselves more gradually and then throws the heart into the stars. . .
http://buduclan.de/music/music1/mp3/Dispair-Ses217-131013-M-Mix01-RohMasLim-END.mp3 A ( looped ) voice hypnotizes the listeners from the backround and generates a leaden melacholie, of which the lead voice tryes to get free. . .tragically, without success. The content is about the pain of failed desire. . .
The avaliable cuts on this site are only the tip of the iceberg. The countless sessions that were not processed for various reasons, do contain some material, that is worth to listen to.
By chance I came across a session from July this year.
Unusual way (both in terms of instrumentation, and the mood) comes this cut reflective and therefore mainly with organ. Of “water into wine”, “the camel going through the eye of a needle”, to “for the friend of flowers is the world full of flowers”, this cut points out in the direction of things, that are beyond the direct access and therefore so difficult to grasp. . .
http://buduclan.de/music/music1/mp3/Keepyourhaton-Ses213-210813-O-MasOz.mp3 It happens that one gets to people and places where you can feel that there’s nothing good going on. . . than you intuitively keep your shoes on, that you can escape quickly. . !
http://buduclan.de/music/music1/mp3/InthenameofGOD-Ses212-180813–M-Mix01-MasOz.mp3 At first big thanks to my fellow musicians for the infinite patience in common “weaving” the atmospheric opening sequence.
Strange and mystical this cut comes from afar. . . . . . towards the end the singer starts to spin : How can a man kill in the name of god (or any other system). . ? Against the background of looped angels singing, the singer shouts and complains with great intensity, and continues grumbling to disappear in the distance (… and there probably continue to complain;). This must be called meaningful contrast!
Whenever people over to ownership systems, it happens – from the Crusades to the Holocaust to the current inhumanity. . .
http://buduclan.de/music/music1/mp3/Glidinginandout-Ses212-180813-M-Mix01-MasOz.mp3 So it should be – in one go (almost no cuts) from the sleeve. . ! Two are dancing. . .
Quite harmless and conventional it starts as a melancholy ballad. . . but then turns out to be an unbearable painful Free Jazz Orgy, loosing completely his poise and illustrates the “… going down”, because BuDuClan is not content with singing about the “going down”, BuDuClan wants to make it tangible!
http://buduclan.de/music/music1/mp3/PolishRhapsodie-Ses210_210713_-M-Mix01-MasOz-LIM.mp3 If you makea trip, there`s a lot you can tell. . . That there was to tell all sorts of things can be seen from the length of this cut. Of a light, dreamy summer atmosphere it gets (through various changes of colors) at the end then funky. . .
http://buduclan.de/music/music1/mp3/Flamudu-Ses210_210713_-M-Mix01-MasOzLIM.mp3 I have not wanted it ( even if it sounds so ) ! Flam (enco a la B ) udu !
That the (conceptually intended) separation of Solo, – and Bandwork is not really feasible. This results from the process of BuDuClan – Sessions:
“Everything from the sleeve …” . . . and inside the sleeve was still this flamencoriff.
I am currently working with my guitar in a flamenco concert, which can be heard on my solo page (redsongs.de) http://redsongs.de/?p=1897 . Who cares how it works with the loops, can study ( particularly well in the first part ) how to “superimpose” the guitars, transforming Budu-trio into a BuDu-quartet. About the opportunity to play solos (without the overall sound getting too thin), I found out how strong the loops are also style- and piece-forming, cause not seldom the recurring theme awards a flow his piece character.
A looper is no toy – but a tool !
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