. . since a swarm of hornets buzzing through the scene. . .
Penertrant and just go on forever, he sucks his fingers through his piece!
With much shouting and Gitarrengelärme, he is after 10
minutes in combat then it moves to the soft.
After a dark and mysterious beginning you can hear someone crying for love. . . ( that you`ll never can find, with this crying, cause love hides from violence and greed – that`s the dispair ! ) How much love can you bear . . ?
http://buduclan.de/music/music1/mp3/Thankfullness-Testix04-MasOzEND.mp3 Tender and playful this piece comes from a distance and tells
of gratitude.
There is strength, solidarity and confidence. . .
by disappearing into the distance.
BuDu resists! BuDu does not just complain – BuDuClan act!
Anyone who deplores the present state of our society and senses the inhumanity in it, must not be surprised at becoming its victim oneself unless there is strenuous opposition.
Scenarios masterfully depicted by Charlie Chaplin (“Modern Times”) or Huxley in the 1930ies are our present-day realities. Interests focussed on maintenance of power overwhelm the longing for a world worth living in, in the same way the snake in Paradise is said to have done…
Sneakingly, the processes of work are being condensed und accelerated in such a way that the “human capital” reaches the highest possible efficiency whereas the “social garbage” is being cheaply administered and fobbed off with residual waste…
And just by the way the pursuit of freedom is being deposed off as well – as we know that freedom is dying as soon it needs to be defended (Thomas Mann). Yet there is no defence even because the lack is not perceived but compensated with little make-belief freedoms.
It takes time to accompany Smetana´s “Moldau” from the well to its mouth into the sea. Perception needs time to connect experience to the inner (intraworldly –Heidegger) conception of self… BuDuClan take their time it needs and thus violate listening habits. BuDuClan refuse to provide utilisable products but invite to participate, to resonate.
“Brave new world” : http://buduclan.de/music/music1/mp3/Bravenewworld-Ses186_170712_-O-Mix01-MasOz.mp3
Can YOU Hear-1
Can YOU Hear-5
. . . the volume with a better understanding is to gain, is known,
is not in moments of emotional arousal rarely forgotten. . .
Can YOU Hear-1 is the first version. It is one of the few tracks that were later re-invented several times. (See also text to galley …) Unbearable, gloomy, scary. . . Under “… more” there are 3 other versions. . . a rock version, a “dripping suffering” etc.
. . . as we did not know that the “BuDu-trip” for us
leads definitive commitment to the process, we still thought in song structures.
This has led us to invent the idea of the same subject again and again.
This is a document of this search from our early days.
The original version and a second version, which is worth to pursue to the end,
for since “drinks from the galley.” . .
Under “… more” there are 6 versions.
more. . .
Version 1
Version 2
Version 3
Version 4
Version 5
Version 7
If BuDuClan says “everything to pour out of his sleeve,” I risk my credibility with this cut, because it is not-as-usual in the middle part to get collage. . . As usual, the resulting “flow” was taken, and leave everything in place, the organ and synthesizer sounds cello had, however, “resorted” Vedas. As a melancholy ballad one Rockmummer is, then the “atonal free” to change and then the opening theme re-record, but this time energy to ultimately “to party” in a twice as fast Powerrock passage remains the listener while locked up he noted at the. . . in your head it is working, “the Gesaltlosigkeit the free passage just this illustrates how even be i”. . . this night is too long “, the duration and the feeling it must be heard!
The “upset” of course, first, because it violates all the listening habits. . .
The song length exceeds the usual level a lot (15 minutes),
Stylistically disparate elements such as free jazz ballad and become a cohesive
Meaningful unit together, which is more than crossover. . .
Content, it is something that everyone knows. . .
Experienced, that’s deep, but below the level of consciousness is driving his nature and does not let go. . . it is noticed, it leaves a distraught back and robs a sleep. . . and then the night is way too long!
. . . developed out of the moment:
Can you see the herd..? run into the sword
coming down from far, looking out for war
run, run,run . . .
coming from the dark with greedy hands of fire
they get up in the morning driven from desire
they`re exhausted firehands
far, far, far far away . . .
hey, yea – see their hands of fire
runn. . .
running all along and anhead
one in the hand and one in the head
? ? ?
yea, yea, yea you run. . .
oh, oh, oh you breezing low. . .
you try to sleep this night
but hear the ticking of your watch
then wri,wri,wri,wri,writing it down
then wri,wri,wri,wri,writing it down
Dadudiddidubadiddidubadiddiduba
. . .they`re coming near again . . .
do,do,do,do,don`t. . .
Einst, als die Himmel zerbrachen
sehe ich fast. . . wie die Worte wurden ausgesprochen wurden
” Komm ! Lauf zu mir !”
Die Worte kommen rüber – und ich lauf los
doch Du läufst woanders hin. . .
Die Worte sind ausgesprochen – Die Träume sind vorbei
Söhne des Himmels. . .
Welch trauriges Lied. Hier prallen eine strenge klassische Akkordfolge und freie lautmalerische Passagen unvermittelt aufeinander. . . Alles geht !– wenn es geht. Ob es geht, möge jeder selbst beurteilen.
What a sad song.
Here is a strict classical chord progression and free onomatopoeic passages collide abruptly
another. . . Anything goes! – When it comes. Whether it is, everyone should judge for themselves.
http://buduclan.de/music/music1/mp3/Rocknjodl-Extraordinary-Ses179_290412_-M-Mix01-MasOz.mp3 Das Jodeln ist earlier for the German mountain people have been what the jungle drums for
Tribes in Africa were: A means of communication over long distances.
In the age of cell phones, the excessive amount of nonsensical stuff is common, arises
really the question about who has the “hillbilly”, the “Laber pockets”, or the
“Yodel”, which could at least distinguish between important and unimportant yet. . .
http://buduclan.de/music/music1/mp3/Rapeyourheart-Mix01-MasOz.mp3 Über das sich selbst untreu werden. . .
Rape your heart. . . what a title!
Driven by a powerful bass, the guitar bleats pitifully and saws before annoyingly
down until the pressure built up in the word must be discharged. . .
The tortured soul cries out uncontrollably, what was done to her in the name of reason. . .
The “beautiful beings” that we are in an increasingly inhuman expectant
World, often even forced, against our hearts and our deepest beliefs
to act. What madness!. . . and even that is still public appeal
staged and marketed. . . Who in “Germany sucht den Superstar” does not have to puke
, is already part of the machinery.
And, after all the noise, then the end of this desperate “Hold the line”
which remains lonely, while the once-angry guitar bleating pitifully only
whimpers .. . . unbearable!
This cut is an exception because it is -not as usual with BuDu, and conceptually wanted – was developed spontaneously out of the moment. The first set comes from a contemporaneous finished solo production, glides into a bandversion. There is so much to say. . . But who today will still listen to the time and the interest 17:50 minutes?
Content pulse is the “oceanic feeling”, which delivers unreservedly the waves of emotions. . . . boundless love and endless grief. . . Something you can not think up, things can only grow and that takes time! . . . and takes BuDu profusely. . . Those who are wondering when it starts because times are not this cut can understand .. . . . The “Phillip Glass fans” will be rocking and the “rockers” to spherical – and so sits BuDu where it belongs: “between all stools.” . .
BuDu makes anyway everything always spontaneous and surprising. . . anything but the classical part, the terms otherwise very strictly through-composed solo productions, returns are now the “fertilization direction” to. Was previously always BuDu fertilized by themes of solo work, now BuDu fertilizes ! Now, there are three possible final versions for this this classic set : “cute / powerful / dance” – “sad / desperate” or “angry / violent / warlike”, they are allowed to develop each of the flow of the game and the momentary mood out … and therefore have a high degree of authenticity in mind.
BuDu brave defies so-called “professional stageacts”.
Anyone who is interested in classical guitar concerts, should visit http://redsongs.de in the CLASSIC department.
A “musical conversation” of a special kind. . .
From far away comes the guitar, the bass hits, then the drums
. . . and off you go!
As a whisper in your ear. . . unusual only, the type of
screams like a madman – and “wrong” is entirely accurate,
because that is with volume gain a better understanding,
is known, is not in moments of emotional arousal rarely
Forgot.
As the story progresses, it is then also painful
. experience . . the outcome of battle is indeed a victory at best
– The erhofte understanding, or even love is not in this way
to obtain.
After all the excitement of the common walk then ends
-against better judgment – hopelessly in “fight on”. . .
For connoisseurs, there is a “32-minute long version”, in addition to a
Bass solo, the flow of this piece depicts unabridged.
more. . .
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